Holiday Movies with Daniel

12.20.2011

For those of you who don’t know me, I have long considered myself a bit of a cinephile. I have seen most of Kubrick, almost a full third of Hitchcock’s 60+ masterpieces, and even served as the “Sheriff” of my high school movie club. My tastes are rather eclectic, and I can gladly enjoy a Billy Wilder classic like Sunset Boulevard or the most recent European imports (e.g. Le Quattro Volte, La Doppia Ora, Even the Rain, or The Guard to name a few), as well as a relatively low brow comedy like Horrible Bosses or Bad Teacher, yet when I do encounter a horrible film (e.g. The Beaver, Larry Crowne, Captain America, Crazy Stupid Love, Paranormal Activity 3, or Immortals 3D which currently grace my “Worst of 2011 So Far” list), I will take pleasure in endlessly berating them.

However, one of the genres of film I could never really get into, and largely still can’t, are Christmas films. I find them filled with cheap sentimentality and pandering, simplistic morals that sometimes amount to nothing more than “parents should work less, and spend more time with their kids” or “if grownups just believed in Santa, they and their families would be so much happier”; this is sort of on par with that sub-genre of children’s films that portray cranky workaholic parents as somewhere between misguided and villainous for not wanting to adopt the stray dog/cat/monkey/parrot that their child found. What’s even worse is when the alleged filmmakers who produce these films include some kind of message about selflessness and giving, and then reward the main character with some lavish gift for learning that that lavish gift is not what the Holidays are all about.

Now, this said, I do acknowledge that not all holiday films are like this, just most of them, especially the more recent ones, minus some of the parodies like A Very Harold and Kumar 3D Christmas, or some cartoon specials like those of The Simpsons, South Park, or Family Guy, although oftentimes these will on a standard Christmas episode ending after twenty-eight minutes of trying to be edgy or at least kind of more mature (South Park usually manages to sidestep this). Ultimately what I think this comes down to is that there really aren’t that many new Christmas movies for adults anymore.

It has been nearly fifty or sixty plus years since we saw such films like The Bishop’s Wife, The Shop Around The Corner, Holiday Inn, White Christmas, or my personal favorite, Bachelor Mother. Not all of these are masterpieces. Some are better than others. And some of them may even be a little overrated, but they are all a welcome relief from most of what passes as a Holiday movie today. None of these films are about presents or decorating or believing in Santa. No, they are largely about human relationships involving real people, who at times may sing and dance more than would be considered normal, while the Holiday Season is simply just part of the setting. The humor does not come from an idiot repeatedly falling off his roof while hanging Christmas lights, but from witty banter and good writing. And, although some of these do end up having a moral or end up becoming overly sentimental, it usually doesn’t come off as forced.

Ever Notice how Some of the Greatest Holiday Memories Are of when Things Go Wrong?

12.14.2011

Have you ever noticed that as much as we all want things to be perfect for the holidays, some of your greatest memories happen when things go wrong?

I remember one year coming home from college a few days before Christmas. It was my dad’s job to pick up the Italian pastries for Christmas Eve, and since he didn’t want the cannoli shells to soften up in the refrigerator if we bought them too soon, he waited until Christmas Eve to go and get them. He asked me if I wanted to come along, so I made the trip from Fair Lawn to Lodi (about a 20 minute drive, so not exactly over the river and through the woods) to the bakery to get the pastries with him.

We got there and I pulled a ticket to see when we would get served. The place was absolutely packed but we had number 56 and they were on number 28, so I figured it wouldn’t take too long…but what are all of these people doing here? Shortly after, I heard a number called “B 29!” I looked down at our ticket and we were 56 alright…E 56!

I’m not sure how many of you reading this have had a cannoli from an Italian pastry shop in North Jersey. They are pretty darn good, but I’m still not sure if we stayed because they were so good or because my dad feared having to tell my mom that he waited until the last minute to get the pastries and now he didn’t want to wait for them because the bakery is too crowded on Christmas Eve.  We were there for over 2 hours, just people watching, talking, and playing “It’s A Wonderful Life” trivia. My dad not I are known for our patience, but that morning, we just had a fun time hanging out together.

Oh, did I also mention that about a half hour into our wait I saw a sign up at the bakery? It said:

PRE-ORDER PASTRIES FOR CHRISTMAS EVE. ORDERS IN BY DECEMBER 20

That was the start of a new Burghgraef Christmas tradition…me calling my dad around December 10th to see if he ordered the pastries yet!

Larry Crowne, Poorly Executed and Out of Touch

07.10.2011

You don’t need to go to college to stock shelves at Wal-Mart. You can’t live off of 500k indefinitely.  Scooter gangs don’t act like teenage girls, assuming they even exist. And college students do not act in a way that makes Joel McHale and the gang on Community appear to be a realistic depiction of college life. Yet the new Tom Hanks film Larry Crowne, which Hanks not only starred in, but co-wrote and directed, begs to differ.

Larry Crowne tries to be an intelligent, relevant, recession-era comedy about a good guy hit by hard luck during tough times, adult fare for a movie season filled with superheroes and fighting robots, but instead, is a hodge-podge of poorly executed ideas and caricatures.

Tom Hanks plays the title role, an awe-schucks everyman who after being fired from his job at a Wal-Mart-esque superstore for not having at least a couple of semesters of higher learning under his belt, is encouraged to go to community college by his neighbor across the street who had the good fortune to win $500,000 on a game show a few years back and thus retire twenty years early and open the year-round yard sale of his dreams. Once in school, Hanks is taken under the wing of the free spirited leader of a multi-racial motor-scooter gang that, when not aimlessly riding around Los Angeles, waving at friendly bikers, and stopping at small diners for good food and stilted, 1960s exchanges with blue-collar workers, spends its time giving one another makeovers, feng sui-ing one another’s apartments, and initiating new members into the gang through a ritual involving plenty of finger-snaps and giggles. Also in college Crowne meets Mercedes Tainot, played by Julia Roberts, a burned out lit teacher just waiting for an enthusiastic, middle-aged, nice-guy student to reinvigorate her passion for her job after years of dealing with virtually empty classes filled with students who act like actors from the local community center comedy troupe  who had never gone to college,  as well as a stay-at-home husband who passes the day exercising, napping, commenting on blogs, and looking at pictures of women in bikinis that, in the world of this film, somehow constitutes porn.

If Larry Crowne took itself more seriously, it may have been able to pass for an Alexander Payne-style dramedy about middle-aged individuals dealing with the disappointments of life. If it took itself less seriously, and perhaps had Ben Stiller in the lead role, it could have potentially worked as another title in the string of over-the-top comedies Stiller did throughout most of the previous decade. But instead Larry Crowne unsuccessfully tries to combine its wackier elements, which aren’t funny, with its more serious backdrop, which is not only diminished by the wackier elements, but by the fact that the film is completely out of touch with the lower-middle class segment of society it is trying to portray.